Look, it’s been way too long since I’ve done one of these. I’ve missed talking to artist/librarians! So I’m back with another round of brilliant, inspirational people, and I can’t think of anyone better to relaunch this series than Becca Cleaver. Becca makes these beautiful, graphic, modern quilts that I enjoy looking at so much that I was moved to paint one (which started a mini obsession but that’s a whole other story). So how thrilled was I when Becca agreed to answer my questions about her work and her craft? So, very.
Let’s start with your day job, Becca. Can you tell us about what you do?
I am the Technical Services Librarian for a law firm in Calgary. I do the cataloguing for the firm’s four libraries across Canada, act as the systems liaison, and help with our current awareness, collection maintenance, and circulation duties.
Now I want to hear about your quilts! Let’s start at the beginning: how did you get started quilting? Do you have any favourite themes, motifs, or types of quilts? What inspires you?
When I was in high school I told my best friend that I would make her a quilt when she got married. I had never sewn anything that complicated before, but I wanted to learn and figured that I would have time to teach myself before I had to follow through on my promise. Of course she was the first of my friends to get married, so I had to learn pretty quickly. I made a magic tiles quilt in shades of green and loved the geometric design as well as the mathematical and logical way that it was constructed. I was hand sewing the binding on her wedding day, but managed to finish the quilt in time. I was hooked.
I kept quilting after that, though mostly baby quilts. I was avoiding pastels in favour of bold colours and patterns. It wasn’t until a few years ago, around the time that I moved to Calgary, that I learned about the Modern quilting movement. I joined a local guild, signed up to Instagram, and found others like me, trying to find a place in the quilting world outside the tan and red log cabins of traditional quilting. Exposure to this community had me trying new things with every project, so I learned a lot, and I became a lot more prolific because I was excited about everything that I was making.
I’m drawn to modern, bold, and graphic quilts, but also those that test my skills with new techniques like paper-piecing, needle-turn applique, and improvisation. I’m inspired by other modern quilters and artists, but I’ve been enjoying also finding inspiration in the things around me, like my community and my city. I will see a colour combination, a photograph, a painting, a sculpture, a landscape, a building, etc. and think “That would make a cool quilt.” I just wish that I had enough time to make them all.
I’ve been following your work on Instagram for a while and I just love seeing your work pop up in my stream. Your neighbourhood quilts, in particular, are seriously rad! Tell me more about them.
Thank you! Since moving to Calgary I have become a keen transportation cyclist. Anywhere I need to go, I’d rather get there by bike. This choice of transportation mode has resulted in a stronger connection to my community and a new interest in urban planning. I wanted to make something that would reflect my love for my newfound hometown and the neighbourhoods that I was discovering by bike.
I also wanted to push my quilting a bit further. I am a straight-line quilter. I live and die by my walking foot, but I’ve always admired the skill and design of free-motion quilting (the swirls and feathers and loops and endless shapes). While not ready to jump into free-motion, I still wanted to take my quilting up a step and add another interesting element to my quilts beyond the piecing.
I found a woman in New York who was making city map quilts and selling DIY templates for some major cities. Unfortunately for me, she doesn’t make templates on request and she had no Canadian cities. So, I took the opportunity to start from scratch and figure out how to make map quilts that are personal and meaningful. For me, right now, that means Calgary.
My process is a lot of start and stop and pivot, but I like the complexity and accuracy that you can achieve with this method. I love the extra visual element that this kind of quilting can add to a project and the interaction that it prompts. When I displayed my first quilted maps at a craft show last year, I loved watching people figure it out and recognize what the quilting was, often pointing out their house. It really got people involved. That’s the kind of reaction that I’d love to have from more of my work.
Right now I’m focusing on smaller pieces, and have developed a class to teach the process to others. I’m loving the results and I’m having fun exploring new neighbourhoods from my sewing machine. In the future I would love to do a larger range of neighbourhoods (I’ve repeated a few of my favourite inner city neighbourhoods since I’ve started) and eventually work towards a whole city quilt.
I’m really interested in the creative process and how artists come to create what they do. Can you tell me more about your practice? How do you fit it into your life? What does your creative process look like?
I try to make something every day. I save pictures I see, doodle a lot, and make plenty of lists, but projects really start coming together for me once I’ve pulled a stack of fabric for them. Those stacks become inspiration for a solid plan, and really grab my attention by taking up physical space in my limited sewing area. I’ve been following more patterns lately, as I’ve tested for other designers, and in teaching myself new skills (or testing my skills — for example, lately I’ve been asking how small that pattern can go). But, usually, I prefer drawing inspiration from a fabric, photograph, or scene and making things up as I go.
Once the sewing starts, piecing a quilt top or putting together a bag, etc. flows rather easily and is quite therapeutic. There are some natural breaks in quilting that vary in length, but offer time for reflection for the next step — planning, cutting, piecing, quilting, and binding. Depending on the project, I may jump quickly to the next step or set it aside to wait for inspiration and drive to strike again at any of these stages. I always have a pile of works in progress at different stages, there for me to jump into depending on my mood.
This year my goal is some selfish sewing as most of my finished works currently leave my house. After a decade of quilting I still don’t have any of my own quilts in my home. I may start more selfish sewing next year, but knowing that is coming up helps my drive to finish other sewing obligations first. Lately I’ve also been deadline driven by birthdays, swap dates, testing due dates, and craft shows. Having a set deadline and overarching goals each year has done wonders for my productivity (both in finishing the required products, and the procraftinating that always ends up happening). I’m still also working on finding the balance between what I want to make and what I actually have time to complete.
The other balance I’m working on is striking out of the solo sewing mode. I’ve found that having a variety of types of projects allows me to sew more on the go, have sew days with friends (sometimes including biking my machine and necessary tools and materials), and getting out of my shell a bit more. Being a part of the online quilting community on Instagram and getting out of my house to sew with others has done wonders for my inspiration and willingness to try new things. I’ve learned so much and progressed my craft so far in the few years since I joined the Modern Quilt Guild compared to the eight before than when I was just sewing in my own little bubble.
So many artists I know work in multiple media or have more than one creative outlet. I think I’ve spotted some other non-quilt hand-sewn goodness on your Instagram! Tell me about all of it.
Last year I made a commitment to myself to learn something new with everything that I made. I joined a swap that required a monthly product and had a set deadline, which really helped. I discovered that I had learned enough basic skills from quilting and gained confidence in those skills from practice, that I could tackle those other sewing projects. Quilts are flat, and the ones I make are mostly straight lines, so I would always shy away from curves, and 3D shapes, etc. This has been a nice challenge for me to break out of my comfort zone. I’ve made stuffed animals, bags, children’s booties, and more. I’ve done some knitting and embroidery as well. I love the idea that I can make what I want or what I need with my own hands. Next up I want to tackle garment making. I have a few patterns sitting on my shelf waiting for me to take that next leap.
And finally, are you happy with the balance you’ve struck between working your day job and your quilting practice? Do you ever dream of rebalancing your life to do more quilting and less librarian-ing? Or maybe just going all in and becoming a full-time quilter?
I spend a large amount of my spare time sewing. I have lists of things that I want to make that I will never have time for. I do love my work as a librarian, but I would love to one day be able to spend a little more time on my quilting practice and a little less time at my day job. There are times when I daydream of quilting full time, but unless I suddenly hit the jackpot, then I see myself playing only subtly with the balance between these two loves of mine for the foreseeable future.